VII.
PHILOSOPHY AND HISTORY OF THE ART OF PAINTING.
The relation of art and nature (651. 652).
651.
What is fair in men, passes away, but not so in art.
652.
HE WHO DESPISES PAINTING LOVES NEITHER PHILOSOPHY NOR NATURE.
If you condemn painting, which is the only imitator of all visible
works of nature, you will certainly despise a subtle invention which
brings philosophy and subtle speculation to the consideration of the
nature of all forms--seas and plains, trees, animals, plants and
flowers--which are surrounded by shade and light. And this is true
knowledge and the legitimate issue of nature; for painting is born
of nature--or, to speak more correctly, we will say it is the
grandchild of nature; for all visible things are produced by nature,
and these her children have given birth to painting. Hence we may
justly call it the grandchild of nature and related to God.
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