"Besides the shoes, there were also the _estiviaux_, thus named from.
_estiva_ (summer thing), because, being generally made of velvet, brocade,
or other costly material, they could only be worn in dry weather.
"The coat (_cotte_) corresponded with the tunic of the ancients, it was a
blouse with tight sleeves. These sleeves were the only part of it which
were exposed, the rest being completely covered by the surcoats, or
_cotte-hardie,_ a name the origin of which is obscure. In shape the
surcoat somewhat resembled a sack, in which, at a later period, large
slits were made in the arms, as well as over the hips and on the chest,
through which appeared the rich furs and satins with which it was
lined.... The ordinary material of the surcoat for the rich was cloth,
either scarlet, blue, or reddish brown, or two or more of these colours
mixed together; and for the poor, linsey-woolsey or fustian. The nobles,
princes, or barons, when holding a court, wore surcoats of a colour to
match their arms, which were embroidered upon them, but the lesser nobles
who frequented the houses of the great spoke of themselves as in the robes
of such and such a noble, because he whose patronage they courted was
obliged to provide them with surcoats and mantles. These were of their
patron's favourite colour, and were called the livery (_livree_), on
account of their distribution (_livraison_), which took place twice a
year. The word has remained in use ever since, but with a different
signification; it is, however, so nearly akin to the original meaning that
its affinity is evident."
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