Further, he ought to entertain the people with festivals and spectacles
at convenient seasons of the year; and as every city is divided into
guilds or into societies,(*) he ought to hold such bodies in esteem, and
associate with them sometimes, and show himself an example of courtesy
and liberality; nevertheless, always maintaining the majesty of his
rank, for this he must never consent to abate in anything.
(*) "Guilds or societies," "in arti o in tribu." "Arti" were
craft or trade guilds, cf. Florio: "Arte . . . a whole
company of any trade in any city or corporation town." The
guilds of Florence are most admirably described by Mr
Edgcumbe Staley in his work on the subject (Methuen, 1906).
Institutions of a somewhat similar character, called
"artel," exist in Russia to-day, cf. Sir Mackenzie Wallace's
"Russia," ed. 1905: "The sons . . . were always during the
working season members of an artel. In some of the larger
towns there are artels of a much more complex kind--
permanent associations, possessing large capital, and
pecuniarily responsible for the acts of the individual
members." The word "artel," despite its apparent similarity,
has, Mr Aylmer Maude assures me, no connection with "ars" or
"arte." Its root is that of the verb "rotisya," to bind
oneself by an oath; and it is generally admitted to be only
another form of "rota," which now signifies a "regimental
company." In both words the underlying idea is that of a
body of men united by an oath. "Tribu" were possibly gentile
groups, united by common descent, and included individuals
connected by marriage. Perhaps our words "sects" or "clans"
would be most appropriate.
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